Monday, 20 June 2016

Of First Hair and Cords

As I am on no-pay leave this year, I have a lot more time on my hand. I got into the undesirable habit of surfing the net too much, I must admit.

One morning, I was either surfing on one of the forums or Facebook when I chanced upon some mummies discussing making hair brushes out of their babies' first hair and making name stamps out of their babies' dried umbilical cord.

I was curious. During my time, the 'trend' was to create hand and footprints as mementos of the baby's first few days or first month. Hair brush and name stamp were virtually unheard of.

However, I had kept both my babies' first hair and dried umbilical cords, for 15 and 7 years respectively.

Now, why would I do that?

I kept the dried umbilical cords at my mother's advice. She claimed that keeping the dried cord helps ensure that the child have a good memory. I don't think highly of myself in the memory department so I had to keep it for my babies.

There is no logical or scientific explanation to my mother's claim, of course. It's probably an old wives' tale but I kept them anyway, in a small empty Obimin bottle made of darkened glass.

As for the hair, I had always loved their incredibly soft hair.

I took the girls to the hairdresser at their fourth month for the shave as a traditional practice.

Why fourth? I don't know the traditional belief behind that mysterious number. My mother said babies' hair is shaved at first or fourth month. They looked too fragile to be touched at the first month, and I wanted the hair to be intact for as long as possible.

Having kept these two items for each of my babies, I never knew what to do with them. The umbilical cords were in the dark little bottle sitting in a cabinet; Baby's hair was in a plastic bag in a drawer and what little I could save from Coco's traumatic hairdressing experience was contained in the tiniest ziplock bag in her baby album.

So I took an extreme interest in my new-found treasure!

With due diligence, I did my research on the experts in the matter.

There are only two companies in Singapore that create these products: Huaxia Taimaobi Centre (华夏胎毛笔) Huatsing Baby Souvenir 华新胎毛笔). Both companies also have active Facebook accounts that allow potential clients to inquire about their products and prices.

In the typical fashion of the research-obsessed, I went down to both the centres to make my enquiries. And anyone who knows me knows I am an asker who asks the weirdest questions.

I chose Huaxia in the end as I felt that I liked what I saw and the lady was able to educate me on the differences among the authentic liuli (coloured or glazed glass), crystal and artificial liuli.

Huat Sing had the geographical advantage over Huaxia but I felt that the Mainlander salesperson attending to me was not very used to having visiting customers. We had arranged an appointment prior to my visit but he was unprepared. The only samples he could show me were the ones in the display cabinet that were very limited. He also recommended the supposedly popular emperor-seal stamps to me and I did not fancy the size nor the designs. Compared to the lady at Huaxia, I felt that he was a little more pushy about his idea of 'good' or 'nice'. There was no mention about the hair brush samples.

I took a month or so to deliberate on what the girls and I wanted before I went back to Huaxia (KK branch) to place my order.

Welcome to the world of choices!

These are the hair brush samples and they are not exhaustive.

The decisions to make:
- the material (cloisonne, purple sandalwood, red sandalwood)
- the size (very small, small, medium or large)
- the design (full or half engraving, with or without camel bone, with or without accompanying name stamp at one end of the brush, with or without silver thread)
- the couplets or phrases to be imprinted on the brush
- the type of cap (normal transparent plastic or a matching brush cap)
- any other addition (child's lunar birth date)

The multitudes of baby hair brushes alone dazzled me. I was getting confused by the different makes and prices so I noted down the prices for the ones I was interested in and went home to think it over.

As for the cord stamps, there were three main choices: 
crystal (水晶)
$128 w/o GST
authentic liuli (全琉璃)
$228 w/o GST

artificial liuli (仿琉璃)or in Huatsing's words 'amber crystal' (琥珀水晶)
$88 w/o GST

I like the transparent element of crystal as it gives the clearest possible view of the umbilical cord but it looks the cheapest as it bears a striking resemblance to clear glass.

Obviously, the girls' eye for details have been well-trained. They set their mind on the most expensive product.

I made many requests:

- I wanted the liuli's three colours to be balanced and of equal mix. Some liuli had one or two dominating colours which I didn't like.
- I did not want the liuli's colour to block the view of the cord. I wanted the cord portion to be cleared of colours so that I could see it clearly.
- I wanted the colours to be somewhat light and not too dark.
- I wanted as little air bubbles as possible in the liuli.

The nice saleslady, Joyce, wrote down all my requests on the envelopes and said they would try to accommodate my requests as far as possible. But she also told me that none of her customers has made these requests. They only choose authentic liuli and the rest is taken care of by the workmanship master.

Coco's baby hair was too little so Joyce also cut some of her current hair on the spot to make up for the shortfall. Joyce said that the master would place the current hair on the inside while the baby hair would be on the outside as a wrap for the hair.

After about a month, the call to pick up the goods came. 

 

The brushes came in boxes beautifully wrapped in Chinese-print fabric.
 
The umbilical cord stamp boxes. 
Gorgeous and expensive-looking, don't you think?
 
How they look resting in the boxes
Each stamp has the girls' Chinese names engraved in 小篆,an ancient Chinese word form, at the bottom.
 
Baby's stamp

  
Baby's cord
I was more excited than anyone to see it!
'cord' in Hokkien is pronounced as 'zai' which sounds like 'cai' (财) in Chinese.
A little bit of baby hair (发) is added for the auspicious meaning of 'prosperity' (发财)
  
Coco's stamp
Therein lies the oval-shaped ink pad
 
Coco chose the full gold or yellow stamp as she thought the ones with coloured swirls were too childish for her liking (grrr ...).
 
Coco's cord up close
By the time I took it out from the Obimin bottle for the making of the stamp, the cord was beginning to disintegrate with some powder forming.
Baby's choice: red sandalwood with half engraving of phoenix (size: small)
$228 w/o GST
 
Coco's choice: red sandalwood with half engraving of phoenix on camel bone (size: small)
$228 w/o GST

I am very pleased with Huaxia's service and products. No doubt the stamps and brushes added up to quite a fortune, but I thought there isn't a better way to keep these two items as keepsakes.

I will definitely recommend Huaxia to anyone who wishes to keep their baby's hair and umbilical cord as mementos.

The pretty and younger lady who attended to all my enquiries at my first trip at Huaxia was helpful and informative while the nice and accommodating lady who attended to all my fuss was Joyce. 

What will I do with the stamps and brushes?

When the girls become independent adults or get married, they shall be given to them as invaluable presents or dowry.

This is what happens when you are getting on in age. You think about such things.  

Saturday, 4 June 2016

Whimsical Castle in the Sky

Did I mention in my previous post that I had bought 3 sets of torture equipment?

This is the second set, which is identical to the third.

I have always loved whimsical carousels so it was hard to pass this over. And I had this great idea of gifting a friend I was about to visit with this set after I had built it.

I'd thought the previous kit was a challenge but this was by no means easier.

In fact, every item seemed to get more difficult to do or make.

I was beginning to suspect that there is a sinister masochistic undercurrent lying beneath my being.
The first item to be made, as instructed by the manual: centre piece of the carousel.

No wooden support in the centre except for the two flimsy ends.

This is considered easy. Just gluing the wooden panels on the deceptively sturdy structure.

Beading up the centre piece. Still alright. Not too bad.

I'd thought the pink and blue-eye beads were the most challenging to put on at this stage ...

until inhumaneness set in.

The double-bead bits were very tricky. They shot off the table the moment I applied pressure on the scissors to cut them off the long chain of beads, so there was a lot of 'where did it go?'s. Needless to say, they were extremely hard to stick on due to their finicky size.
Only Heaven knows how relieved I was to see the horses intact!
There's something I don't have to make from zero finally! 
Bending the metal sticks and making sure they sat right on the horses proved to be no easy task either! 
But how cute and pretty it looks!
If you ask me, I certainly didn't enjoy cutting out those tiny bricks.
One of the most challenging items to make 
Too tiny a lamp

I had thought this was hard, but what's truly hard was yet to come. 
Each side of the walls was the result of some toiling.

Another precision item that took me one hour to make

Could you guess that it was a present?
The darned chimneys 
The eventual result of all those works!
It looked easy enough but it proved to be the most challenging!

Firstly, I didn't know the white glue that was to cover the templates was supposed to be fluid. The ones that came with the package had become clumpy. While it didn't matter much when I was using very little amounts to stick the tiny bits to one another, it resulted in very uneven surfaces when spread over comparatively large areas. 

To resolve that, I used newer glue over the first layer of snow and re-layered it with white coloured sand, but the difference in layers showed. 

By then, I had run out of white glue, so I had to go out and buy a new bottle and what do you know? It was the most fluid and it gave the smoothest look ever, so I had to layer the third layer of white sand over the old.

The manual had suggested thick layers of snow for a better appearance and that was what I did - as thick as I could make. But it gave me a new problem, which I only discovered, to my dismay, towards the completion of the project.
A shed
Compared to the other two structures, this is nothing.

I was almost exhilarated at this stage. "It's just about finished!"

Until I realised the protection cover could not fit snugly over what I had painstakingly built - because my snow was too thick!

I must have spent at least 2 hours to cut and chiselled away the snow lying on the edge while making sure I didn't cut so deep that the paper that the whole project sat on was ruined!

That - was a lot of work!
Just a fraction of the snow mess

The final look

I learned from a friend that the tune is 'Castle in the Sky'.
How whimsical!


Wednesday, 1 June 2016

When you have too much time on your hands


It was a small stall at a bazaar near my place. Curiosity got the better of me when I saw a small crowd of 3 or 4 people forming in front of a table of miniature buildings.

I stopped to look.

The young chap selling the ware forewarned me,"You have to make everything from scratch."

For someone who had made cards with tiny cut-out eyes and other painstaking details, I figured if guys could do this, it shouldn't be much of a problem for me. Hey, I was an Art student after all! Don't play play!

This was the mess that I opened up to. Well, it still looked 'no sweat'. 

But regrets started to creep in as I struggled to bend a less-than-one-cm metal stick into the required shape.

The horror of horrors: you really have to make everything from scratch!

 

Take for example, this wheelbarrow. 

These are the fragments in the packets.

I had to assemble and stick them into this:
 
It often took me anywhere between 1 to 1.5h just to make something like that. Other times, I took up to 2.5h to create one item.

Tedious? You bet!

 
This is a table with a vase of lavender on it. Pardon the tardy nails.
 
I started to wonder if too much free time has cranked my brains up. Why else would I subject myself to a torture regime like this?

I am not terrific in Hokkien but a Hokkien phrase came to mind: jiak ba bo sai pang, crudely translated as 'eat too full and got no faeces to pass' or simply means 'too much time on your hands'.

But since I had started the journey, I just had to grit my teeth, bite the bullet and soldier on ...

 
From these ...

 
to this.
 
I was seeing a house coming into fruition.


Every single item was built from bits and pieces. 

I almost died making the sofas especially as each miserable part of the sofas had to be cut out from a small piece of cloth and wrapped around a small piece of paper. The pink cushions too - I had to cut out a 1.5cm x 1.2cm-sized fabric before doing a triple fold and cutting it into three 0.4cm minute squares!

Other things that almost killed me:
 
 
The shovel

 

And the bench

Then I realised there were many other things that were pawns in a conspiracy theory meant to frustrate me to death.
 
But since I paid $26.90 for this, and $30+ for two other designs, I'd better suck it up and finish it well.

 
Ahh ... a respite from the awful minute makes.

What a renewed sense of relief when I finally completed this project!
 
Front view
 
Back view 

That's not all ...

It looks really pretty when it's all lit up!
 
 

 
Up close 
 

 
Well, you can't get everything perfect. I was given a piece of thin black paper to stick around the limped wires, you know? And to make things more difficult, I had to get the lamp post as thin as possible or I would face with the problem of not being able to stick it into the ground later. 

I started on this on a Tuesday night and finished it on a Friday night. 

The guy said it would take six hours.

I definitely spent more than 18 hours on it.

 Loads of effort and time! 

But proud of it :)
Don't stare at my tardy fingernail. Look at my petite creation!